Conference Program
To see the abstract for a paper, please click on the title
Session One, 8:30-10:00
Puns and Double-Entendres (Massimo Ossi, Chair)
Donna G. Cardamone, Unmasking Salacious Subtexts in Lasso's Neapolitan Dialect Songs
Bonnie
J. Blackburn and Leofranc Holford-Strevens,
Fa
mi la mi sol la: Music Theory, Erotic Practice
Session Two, 10:15-12:30
Eros and Identity (Halina Goldberg, Chair)
Melanie L. Marshall, Imitating the rustic and revealing the noble
Laurie
Stras, "Non
è si denso velo": Hidden and
Forbidden Practice in Wert's Ottavo libro de madrigali a cinque voci
Linda Phyllis
Austern, "Lo
Ere I Burn": Musical Figurations and Fantasies of Male Desire in Early Modern
England
Lunch Break (12:30-2:00)
Session 3, 2:00-4:00
Eros in the Drawing Room (Don Fader, Chair)
Jeanice Brooks, Music as Erotic Potion in a Renaissance Romance
Catherine Gordon-Seifert, "Precious" Eroticism and Hidden Morality: Salon Culture and French Airs (1640-1660)
Andrew Dell'Antonio, "Recte Sentire": Listening, Sensuality, and Transcendence in Early Modern Italy
Session 4, 4:15-5:30
In the Realm of Euterpe: Arcadian Divinities (Ayana Smith, Chair)
Anne MacNeil, Contrasti amorosi and the frisson of dialogic structures
Wendy Heller, Nymphs, Satyrs and the Dances of Pan: Arcadian Opera and the Rhythm of Arcadian Sexualities
Last updated: 13 January 2004, 9:58 pm
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